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It was a wonderful, compelling gothic romance, perfectly accented by Williams' evocative music. Their yearning for one another and their hopes for finally achieving happiness made me teary-eyed at times. Scott and York, who were both nominated for Emmy Awards, are perfectly cast as Edward Rochester and Jane Eyre, and they have terrific chemistry. The three stars of the film are Scott, York, and John Williams' Emmy-winning musical score. Scott-Susannah York version of JANE EYRE happened to own a copy! I watched it this evening and thoroughly enjoyed it. I had a lovely surprise a few days ago, as it transpired that a friend who had read my recent post about wanting to see the George C. Joel and Frances McCrea Ranch Foundation.A Mythical Monkey Writes About the Movies.Book Review: Tennessee Williams and Company: His E.Tonight's Movie: The Reckless Moment (1949).Tonight's Movie: Hold Back the Dawn (1941).Miscellaneous Musings on Classic Films and Disney More faithful to the text than most, with large chunks lifted from the book, which would make it a useful aid to GCSE students.About Me Name: Laura Location: Orange County, CA, United States Lovely landscapes but a turgid pace and a fatal lack of atmosphere.Ī little-known but highly regarded BBC mini-series, with a distinctly un-Byronic Michael Jayston surprisingly good as a complex Rochester. Perhaps his Oscar-winning performance as General Patton had taken it out of the actor. Joan Fontaine's damsel-in-distress Jane won't impress feminist fans of the novel.Īt the age of 31, Susannah York (right) was too old to play Jane, although she seemed young next to the 43-year-old George C Scott's prematurely middle-aged Rochester. With a screenplay co-authored by Aldous Huxley, a Bernard Herrmann score and an uncredited Elizabeth Taylor in support – the most famous movie version recreated the Yorkshire moors on a Hollywood sound stage.
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We are unlikely to have seen the last of these lovers just yet.Įyres and graces: the finest on-screen pairings After all, Jane Eyre has already inspired three musicals to date, not to mention two operas, two ballets and an orchestral symphony. Just as long as Cliff Richard, having made a musical out of Wuthering Heights' Heathcliff, doesn't turn his attention to another Brontë-sister Gothic hero. One day Wasikowska and Fassbender's post-feminist Jane Eyre and Mr Rochester will seem as dated as Welles and Fontaine's pre-feminist versions, but that is surely the attraction to successive generations of artists, delighted to revisit these archetypal lovers afresh.
JANE EYRE MOVIE GEORGE C SCOTT TV
Toby Stephens seemed merely miscast in the most recent TV version, from 2006.
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Dalton had the dark Byronic looks, Hinds the masterful mien, Hurt seemed wistful, haunted and miscast. The most recent cinema version was Franco Zeffirelli's 1996 film starring Charlotte Gainsbourg as the adult Jane (Anna Paquin, Sookie in HBO's True Blood, played the younger version) and William Hurt as Rochester. Since then, TV has revisited Jane Eyre every 10 years or so: in 1973 with Sorcha Cusack and Michael Jayston in 1983, starring a pre-007 Timothy Dalton and Zelah Clark and in 1997, with Samantha Morton and Ciará* Hinds. British TV next serialised Jane Eyre in 1963, with the character actor Richard Leech – an intimidating presence, he played Mr Murdstone in the BBC's 1966 version of David Copperfield – in the role. There were five American versions in the early Fifties (including one with Charlton Heston as Rochester) before the first British serialisation, in 1956, with Stanley Baker – then typecast as the boorish heavy – as Rochester. The real rush of Jane Eyre adaptations had to wait for the television age, Brontë's story being well-suited to the expansiveness of a TV series. This Jane Eyre might have been better off remaining silent: the tinny dialogue comes across more like a drawing-room comedy than a Gothic romance. The first sound version was filmed in 1934, starring Colin Clive, in supremely dodgy sideburns, and Virginia Bruce, whose expressive, kohl-rimmed eyes were made for the silent era. There were seven silent films made of Brontë's 1849 novel, including Orphan of Lowood. But back to the un-zombified screen renditions of Jane Eyre.